For this exhibition “Transitioning”, I would say the mixture of printmaking, painting, sculpture, and drawing is evidence that my work is changing or in transition. “Transitioning” is the name of the combined exhibition of my work and Alix Hitchcock’s work. I’ve taken one idea /inspiration and followed five pieces in whatever direction they have flowed. I started with making large monotypes of tree shapes which developed into acrylic paintings. In addition to those five color schemes, a sculptural painting developed as a result of my wishing to say and show more. After that, the people that I know seemed to “fit” into the category of those colors and forms. Then the unique characteristics of the colors, forms, and people reminded me of mythological characters. The correspondences of color, form, meaning, and myth must be the next step or transition I will take in future work.
How have you changed as an artist over the years?
As an artist over time, I have learned to follow my instincts in art-making. I have learned how to maintain a steady studio practice, with occasional forays into new techniques. I’ve become more involved in the process of making than ever. I trust the process of going in the inspired direction with a freer expression more than ever.
What artists have influenced your work?
So many artists have been influential! Rothko, Toulous Lautrec, Kahlo, Monet, Michelangelo, Kandinsky, Hundertwasser, Joseph Raphael, Morris Louis, Bill Viola are a few that come to mind right now. I could type names all day.
Do you have a favorite medium?
I must say that all mediums are interesting to me. Acrylic paints, colored pencils, Dura-lar as a painted sculptural surface, printmaking inks, different kinds of papers are the most recent ones that I’ve enjoyed
What does making art mean in your life?
Making art for me is meaningful as it provides an outlet for my need for visual expression. Making art keeps me inspired for living. If I don’t make art for a few days, I find myself less than happy and often become unwell physically. It is essential to living.
The paintings of Wendell Myers are abstract landscapes, based on memories of the places he’s lived and visited; the great plains, north woods and lake country of his youth, the Carolina mountains and seascapes of adult life, and the desert Southwest where he has frequently vacationed. The works in this show, “Enchanted Forests” are inspired by the countryside of Poland, where he and his wife have spent a great deal of time over the past 15 years. The series is also influenced by the works of Wolf Kahn and Mark Rothko, referring to it as a “Rothkovian lozenge of color.”
Wendell Myers holds a BFA from the University of Wisconsin, Milwaukee. Early In his career, he worked as a studio potter, selling directly to the public out of his studio, at art fairs and shows in the Midwest and Northeast. Eventually, accompanying his wife, Pamela Howland, to Winston-Salem, he earned his MD from Wake Forest School of Medicine. He has been a practicing radiologist in the area for over 25 years. 12 years ago Myers returned to making art, this time choosing to focus on acrylic painting.
Wendell Myers, “Enchanted Forest”Lea Lackey-Zachmann, “Dogwood Knows Temporary and Perpetual”
Lea Lackey-Zachmann | Dogwood Knows Temporary and Perpetual
The large paintings in this exhibit depict trees Lea Lackey-Zachmann walks past daily. The central painted rectangle in each work represents a tree as we might view it. The smaller painted rectangles above, below, and beside, represent the tree abstractly or symbolically. Most of the artist’s painting career has focused on the tension between Realism and Abstraction. Asking which best expresses the tree’s true nature? All these depictions are a visual language that seeks to evoke a feeling or insight into the identity and nature of the trees shown here.
The artist reveals, “This exhibit was inspired by my knowing that trees are essential to our life and happiness on earth. Our appreciation of them helps determine our future.”
Lea Lackey-Zachmann holds an MFA in painting from the University of NC at Greensboro, along with a graduate teacher’s certificate in Art Education. She received a BA in Art from Winthrop University and is now retired after having taught at High Point University for 29 years and Salem College for 10 years. She has been an instructor of various classes at WFU, Guilford College, and Elon University as well as having taught and served on the board of the Sawtooth Center for Visual Art. She is dedicated to community arts endeavors of all kinds. Her paintings, prints, and drawings are in various collections on the east coast of the US. She is a founding member of Artworks Gallery.
Kimberly Varnadoe’s current work represents a passage through conflicting times. She reflects, “We all have had to adjust to a different way of life during 2020-21. Some of us have gone or are going through other adjustments that are more personal.” These works reflect thoughts, memories, stress, and therefore are a bit chaotic. They are personal to Varnadoe, yet they speak to what many of us think and feel during life’s tumultuous changes. These works were created with a wide variety of media throughout each piece. The meshing together of these materials is a reflection on the many layers of overlap we experience emotionally as we adjust to challenges faced day to day, embracing the complex and contemplative.
Kimberly Varnadoe received her BFA in Painting from the University of South Alabama and her MFA in Printmaking from the University of Memphis. She works with experimental photography and a variety of printmaking techniques, often combining the processes. She enjoys experimentation and feels that art is most alive during the art-making — the final work of art is the record of the art process. She has been a member of Artworks Gallery, in Winston-Salem, since 2003.
Kimberly Varnadoe, “After Life”A piece by Jessica Tefft inspired by Pamela Howland’s music.
Tribute to Pamela Howland
The artists of Artworks Gallery will be paying tribute to the wife of one of their own, who died in September. Gallery members will show a unique collection of tribute works created to honor the music of pianist Pamela Howland. She was the wife of Artworks’ member Wendell Myers. As an accomplished pianist, she taught for many years in the Wake Forest University music department. Howland also recorded 19 albums consisting of composers Chopin, Debussy, and Ravel. She performed nationally and internationally, was a Steinway Artist, a 2017-2018 Fulbright Scholar to Poland, and a Chopin specialist. A percentage of sales will go to the Poland Fulbright Assistance Fund at https://en.fulbright.edu.pl/support-us/
Gallery Hours: Wednesday – Saturday 11-5; Sunday 1-4 Exhibition dates: October 31- November 27, 2021 Reception: Sunday, November 14, 2-4 pm
The exhibit is free and open to the public. For information about this press release, contact pr@artworks-gallery.org
Open Limited Hours: Thurs. – Sat., 12 – 3 pm, or by appointment
When We Dream
When We Express
When We Fire Dance
When We Muse
When We Accept
When We Breathe
When We Experience
Lea Lackey-Zachmann endeavors to bring you into the realm of awareness and sensing she extends to all living beings. “Still Standing Like The Trees” is a collection of images, started before the California fires this year. The artist says, “As their process towards completion continued they began to reflect the possible methods in which a conscious living being might respond to extreme circumstances. The trees, like all Nature have much to teach us.” These impressive new works, rendered in monotype with pencil, suggest viewing trees as sentient beings.
Take a short video tour of Still Standing Like The Trees by Lea Lackey-Zachmann.
