The Sunday, Nov 21, 2020 Edition of the Winston-Salem Journal has a review of our November exhibits by art critic Tom Patterson. Read the full article here. You can also read a PDF version of this review here. Thanks to Tom for this insightful review. A few quotes from the article below.
Jessica Tefft’s Work: Politically Charged
“Tefft’s work encompasses a variety of mediums, and much of it relates directly to the Mueller Report and Donald Trump’s presidential administration, which chose the passages to be redacted. Like many contemporary artists, Tefft is not a fan of the outgoing president, as is clear from her work on view here.”
– Tom Patterson, Special Correspondent, Winston-Salem Journal, Nov 21, 2020
Woodie Anderson’s Work: Printed Charms
“Anderson’s festively colored prints on cloth and paper are charms against inertia and hopelessness — icons of strength, endurance, and abiding energy. The thematic gist of her stylized imagery is reflected in the titles of individual pieces — “Eyes,” “Fire,” “Mindful,” “Comfort.” Inspiration is the name of the game.”
– Tom Patterson, Special Correspondent, Winston-Salem Journal, Nov 21, 2020
Lea Lackey-Zachmann’s Work: Nature Nurture
“…Lea Lackey-Zachmann employs a darker and more subdued, earth-based palette in her five-part series of mixed-media monoprints. She’s a resolute nature abstractionist, whose work typically has a neo-pagan undercurrent. … Leaving aside the titles, on their own as evocative markings on paper, these pieces extend Lackey-Zachmann’s ongoing project of visualizing natural forces. It’s a theme both limitless and imaginatively challenging.”
– Tom Patterson, Special Correspondent, Winston-Salem Journal, Nov 21, 2020
