Artworks Gallery Presents: Wrapping Up 2021 All Members Show for the Holidays
Exhibition dates: November 28 – December 26, 2021 Gallery Hop: Friday, December 3, 7-9 pm
Many giftable art pieces on display!
To wrap up another momentous year, Artworks Gallery Members are pulling out all the stops with a grand collection of works, created by all members. Excitement for a new year ahead will be celebrated with a wide variety of original art, all very giftable!
The offerings include original prints, paintings, glassworks, sculptures, collages, hand-made books, wearables and more. Come peruse and help wrap up 2021.
Since 1984, the longest-running artist cooperative gallery has made unique, local art accessible in Winston-Salem’s Arts District. Entering its 38th year, Artworks Gallery is full of optimism for a better 2022.
The paintings of Wendell Myers are abstract landscapes, based on memories of the places he’s lived and visited; the great plains, north woods and lake country of his youth, the Carolina mountains and seascapes of adult life, and the desert Southwest where he has frequently vacationed. The works in this show, “Enchanted Forests” are inspired by the countryside of Poland, where he and his wife have spent a great deal of time over the past 15 years. The series is also influenced by the works of Wolf Kahn and Mark Rothko, referring to it as a “Rothkovian lozenge of color.”
Wendell Myers holds a BFA from the University of Wisconsin, Milwaukee. Early In his career, he worked as a studio potter, selling directly to the public out of his studio, at art fairs and shows in the Midwest and Northeast. Eventually, accompanying his wife, Pamela Howland, to Winston-Salem, he earned his MD from Wake Forest School of Medicine. He has been a practicing radiologist in the area for over 25 years. 12 years ago Myers returned to making art, this time choosing to focus on acrylic painting.
Wendell Myers, “Enchanted Forest”Lea Lackey-Zachmann, “Dogwood Knows Temporary and Perpetual”
Lea Lackey-Zachmann | Dogwood Knows Temporary and Perpetual
The large paintings in this exhibit depict trees Lea Lackey-Zachmann walks past daily. The central painted rectangle in each work represents a tree as we might view it. The smaller painted rectangles above, below, and beside, represent the tree abstractly or symbolically. Most of the artist’s painting career has focused on the tension between Realism and Abstraction. Asking which best expresses the tree’s true nature? All these depictions are a visual language that seeks to evoke a feeling or insight into the identity and nature of the trees shown here.
The artist reveals, “This exhibit was inspired by my knowing that trees are essential to our life and happiness on earth. Our appreciation of them helps determine our future.”
Lea Lackey-Zachmann holds an MFA in painting from the University of NC at Greensboro, along with a graduate teacher’s certificate in Art Education. She received a BA in Art from Winthrop University and is now retired after having taught at High Point University for 29 years and Salem College for 10 years. She has been an instructor of various classes at WFU, Guilford College, and Elon University as well as having taught and served on the board of the Sawtooth Center for Visual Art. She is dedicated to community arts endeavors of all kinds. Her paintings, prints, and drawings are in various collections on the east coast of the US. She is a founding member of Artworks Gallery.
Kimberly Varnadoe’s current work represents a passage through conflicting times. She reflects, “We all have had to adjust to a different way of life during 2020-21. Some of us have gone or are going through other adjustments that are more personal.” These works reflect thoughts, memories, stress, and therefore are a bit chaotic. They are personal to Varnadoe, yet they speak to what many of us think and feel during life’s tumultuous changes. These works were created with a wide variety of media throughout each piece. The meshing together of these materials is a reflection on the many layers of overlap we experience emotionally as we adjust to challenges faced day to day, embracing the complex and contemplative.
Kimberly Varnadoe received her BFA in Painting from the University of South Alabama and her MFA in Printmaking from the University of Memphis. She works with experimental photography and a variety of printmaking techniques, often combining the processes. She enjoys experimentation and feels that art is most alive during the art-making — the final work of art is the record of the art process. She has been a member of Artworks Gallery, in Winston-Salem, since 2003.
Kimberly Varnadoe, “After Life”A piece by Jessica Tefft inspired by Pamela Howland’s music.
Tribute to Pamela Howland
The artists of Artworks Gallery will be paying tribute to the wife of one of their own, who died in September. Gallery members will show a unique collection of tribute works created to honor the music of pianist Pamela Howland. She was the wife of Artworks’ member Wendell Myers. As an accomplished pianist, she taught for many years in the Wake Forest University music department. Howland also recorded 19 albums consisting of composers Chopin, Debussy, and Ravel. She performed nationally and internationally, was a Steinway Artist, a 2017-2018 Fulbright Scholar to Poland, and a Chopin specialist. A percentage of sales will go to the Poland Fulbright Assistance Fund at https://en.fulbright.edu.pl/support-us/
Gallery Hours: Wednesday – Saturday 11-5; Sunday 1-4 Exhibition dates: October 31- November 27, 2021 Reception: Sunday, November 14, 2-4 pm
The exhibit is free and open to the public. For information about this press release, contact pr@artworks-gallery.org
Artworks Gallery Presents: Marion Adams:Colored Pencil Compositions James Gemma:Exploring Abstract Relationships in Shape and Color
Exhibition dates: August 29 – September 25, 2021 Gallery Hop: Friday, September 3, 7-9 pm
Marion Adams, Oops
Marion Adams, A Seat at the Table
Marion Adams, Blue and White
Marion Adams, Apples on Blue Willow
Marion Adams, Catch
Marion Adams, Dribble
James Gemma, Color Wall
James Gemma, Arrangement in Red ,Blue and Green
James Gemma, Color Crossings
James Gemma, Color Diamond
James Gemma, Color Sphere
James Gemma, Color Stripe l
James Gemma, Color Stripe 2
James Gemma, Color Wall 2
James Gemma, Color Weave
James Gemma, Moonlight
James Gemma, String Theory
Marion Adams, “Blue and White”
Marion Adams | Colored Pencil Composition
Marion Adams reflects, “It is interesting where a year can take you, especially if you physically have no place to go!” She took the time to enjoy countless hours researching artists, both contemporary and traditional from the sanctuary of a laptop while in lockdown. The paintings of artists Janet Rickus and Jeff Larson inspired Adams to try my own. Although their paintings are in acrylic and oil, she tried something similar with a favorite medium: colored pencil.
First, traditional crockery became the subject, later followed by blue willow china. Months later, the minimalist styles of pottery by Giorgio Morandi and Sophie Cook inspired her works.
Marion Adams, “Monstera”
Adams was very much at peace this year while creating art, which provided a type of daily mediation and an escape from the constant chatter of the outside world. Making art offered a retreat into a space of quietness and peace. Maia Gambis, “Why Making Art is the New Meditation,” explains that making art is a tool for coping with overwhelming emotion. “Happiness is more a matter of nurturing a space that provides stability and a constant connection to our true selves.”
Marion Adams has had a 30-year career teaching Science, Math, and Art. She holds a Master’s Degree from Georgia State University and undergraduate degrees in education and art. She works in colored pencil, acrylics, and makes 3-dimensional pieces using polymer and paper clay. She has been a member of Artworks Gallery since 2015.
Marion Adams, “Ooops” James Gemma, “Moonlight”
James Gemma | Exploring Abstract Relationships in Shape and Color
James Gemma’s abstract art is an exciting visual and conceptual exploration of the artistic relationships that may be created among and between colors and shapes. In this exhibition, many of the works use geometric elements as support for these explorations, while others take a more expressive approach. Some of the works have a formal appeal, with arrangements of bold colors and shapes. Others are arranged with softer, more subtle color/shape relationships. Finally, some are just freer, but still with an underlying coherence. Despite its conceptual nature, the art in this collection has a strong aesthetic and energizing appeal. All work in this show is limited edition, original digital art, created with archival paper and ink.
After graduating with advanced degrees from The Ohio State University and careers as university professor and consumer research professional, James Gemma studied art and printmaking at Salem College, and at Wake Forest University. He also has participated in multiple art workshops at Penland School, the Huntington Museum of Art, and the Sawtooth Center for Visual Art. Gemma served four years as board member of Associated Artists of Winston Salem. As Marketing Chairperson of that group, he created the Practicing Artist Series of lectures and critiques, bringing the participation of nationally known artists to Winston-Salem. He is currently a practicing artist, and has been a member of Artworks Gallery since 2009.
James Gemma, “Color Wall 1”
Gallery Hours: Wednesday – Saturday 11-5; Sunday 1-4 Open for Gallery Hop: Friday, September 3, 7-9 pm Exhibition dates: August 29 – September 25, 2021
Artworks Gallery Presents: Mary Blackwell Chapman:Time in the Pandemic Mona Wu:Leaf Dreaming
Exhibition dates: August 1 – August 28, 2021 Gallery Hop: Friday, August 6, 7-10 pm Meet the Artists Reception: Sunday, August 8, 2-4 pm
Mary Blackwell-Chapman, “Cave Art”
Mary Blackwell Chapman | Time in the Pandemic
Mary Blackwell-Chapman’s current show, Time in the Pandemic reflects her response to the worldwide COVID pandemic of the past year and a half in ceramic and fiber. Some artists found increased energy during this time, but some, like Blackwell-Chapman, felt an emptiness and lack of direction. She realized renewed interest and focus in family history, natural beauty, and quiet work with new forms of expression in clay and with a material new to her: fiber.
Her works in the “Homeplace” series reference personal family history and the broader, varied stories of how all of our families came to live in this country and have found, or not found, a home. Fiber is a medium particularly connected to the home, family, community, and history.
Her ceramic work shows an interest in surface treatment and glaze/slip finish that is also new to her. These changes in style and technique reflect her reaction to the profoundly altered state of the world. The world has felt very new and different, and she responded by picking up new tools, new images, and new concerns.
Mary Blackwell-Chapman is a sculptural artist from Forsyth County, North Carolina. She earned a BA in English Literature from Goucher College, and an MA in Motion Picture from Northwestern University in Chicago. She has studied sculpture, both ceramics and book arts, at Penland, UNC-G, Arrowmont, Shakerag, the Calligraphy Centre, and the Sawtooth Center. Her works are in numerous collections. She has been a member of the artists’ collective, Artworks Gallery, since 1992.
Mary Blackwell-Chapman, “Leaf Candelabra”Mary Blackwell-Chapman, “Homeplace: Fireflies and StarlightMona Wu, “Fabric Collage #4”
Mona Wu | Leaf Dreaming
Mona Wu’s new show, Leaf Dreaming, consists principally of images printed on fabric, and then embellished with hand stitching on unused cloth napkins. Botanical imagery is the theme in most of the work, although some were produced with simple woodcut, monoprinted, then hand-sewn into small wall hangings.
In addition to the wall hangings, there are twelve cocktail napkins with gel prints of single leaf outlines and overlaying leaf veins and ferns within; eight dinner napkins with more complex compositional components and various top stitches.
This series is a vast departure from Wu’s previous work of prints on paper. Instead of paper, the artist works with fabric and thread. It is a new art form and a fresh look at familiar objects expressed in new materials, sewn entirely by hand.
A native of China, Mona Wu immigrated to the US in 1970. She studied Chinese painting and calligraphy in Hong Kong then received her BA in Art History from Salem College in 1996. She also studied Printmaking at WFU from 1997-2014.
In 2003 Wu was selected as Sawtooth School of Visual Art Winston-Salem Artist of the year. She teaches Printmaking and Collage at Sawtooth. Wu is currently a member of Artworks Gallery, an artist co-op art gallery in downtown Winston-Salem.
Mona Wu, “Fabric Collage #5”Mona Wu, “Window with Three Discs #1”
Gallery Hours: Wednesday – Saturday 11-5; Sunday 1-4 Open for Gallery Hop: Friday, August 6, 7-10 pm Meet the Artists Reception: Sunday, August 8, 2-4 pm Exhibition dates: August 1 – August 28, 2021
Artworks Gallery Presents: Karen Moran Kopf:Memories Downtown Seth Moskowitz:NEWds – New Interpretations of the Female Form
Karen Moran Kopf, The Earth Has a Memory
Karen Moran Kopf, Local 27101
Karen Moran Kopf,Trade Street Diner
Karen Moran Kopf, Musicians on Trade Street
Karen Moran Kopf, TheGBS
Karen Moran Kopf, Senor Bravo
Karen Moran Kopf, Dancing on Trade Street
Karen Moran Kopf, Downtown Mellow
Karen Moran Kopf, Endless Energy
Karen Moran Kopf, Boundless Energy
Karen Moran Kopf, Scaled
Seth Moskowitz,Be Still
Seth Moskowitz, Harlequin
Seth Moskowitz, Mirror Mirror
Seth Moskowitz, Nemesis
Seth Moskowitz, Small Voice
Seth Moskowitz, Come Hither
Seth Moskowitz, Feelin Blue
Seth Moskowitz, Goosed!
Seth Moskowitz, Home Alone
Seth Moskowitz, Torn
Seth Moskowitz, Turning Point ll
Seth Moskowitz, Turning Point
Seth Moskowitz, Which One Is Me
Seth Moskowitz, World’s Apart
Seth Moskowitz, We’ll Always Have Paris
Exhibition dates: June 27 – July 31, 2021 Gallery Hop: Friday July 2, 7-9 pm Meet the Artists Reception, Sunday, July 11, 2-4 pm
Karen Moran Kopf, “Dancing on Trade Street”
Karen Moran Kopf | Memories Downtown
Karen Moran Kopf received a BA in painting from Wagner College, NYC and studied in Austria and Spain. While she lived in Spain, she exhibited in various European locations. After returning from Europe she continued to paint, but primarily taught school for twenty years. Now that the artist has been painting full-time for several years, she has joined Artworks Gallery and has begun an exhibition schedule with this show.
Seth Moskowitz | NEWds – New Interpretations of the Female ForM
Most of Seth Moskowitz’s artwork focuses on nature and nudes, usually shown in combination. For this show, the artist focuses on nudes to create works incorporating many of the same compositional elements, used differently to different effect. This approach is similar to the printmakers’ practice of using recurring visual elements – perhaps a leaf, a fan, a bird, or a wheel – repeated in a series of images to elicit a kind of acknowledgment from the varying combinations. Moskowitz is fascinated by the beauty of organic forms and how the interplay of those shapes, along with hue, tone, and texture affect the emotions evoked by interpretations of the human body and the natural world. Most of the images in this exhibition employ a relatively small set of compositional elements in a variety of ways to create images that are, very closely related to one another but are very different in their ultimate appearance and impact.
Seth Moskowitz is a Winston-Salem based artist who creates and combines photographic images into artworks that rarely resemble the images they incorporate. Moskowitz made a living immersed in the constant chatter of written and verbal communications, working as a journalist for five years, followed by many years of corporate communications and issue management in a controversial industry. He began to create visual art as an escape from the verbal cacophony of the workaday world – a way to enter a peaceful, magical place that is literally, beyond words.
Seth Moskowitz, “Be Still”
Artworks Gallery resumes full hours in July! July Gallery Hours: Wednesday – Saturday 11-5; Sunday 1-4 Open for Gallery Hop: Friday July 2, 7-9 pm Meet the Artists Reception, Sunday, July 11, 2-4 pm Exhibition dates: June 27 – July 31, 2021
Artworks Gallery Presents: Woodie Anderson | Tooth and Nail: Fragments (solo show)
Exhibition dates: June 3-26, 2021 Gallery Hop: June 4, 2021, 7-9 pm (Meet the Artist Reception)
Woodie Anderson, “Sharpen Your Knives”
Woodie Anderson | Tooth and Nail: Fragments
Working with original drawings and text, found images, historical snippets, and the fever-dreams of an exhausted soul, Woodie Anderson continues her “Tooth and Nail” series exploring the tenacity of the human spirit. This exhibit features new work, including screenprints on paper and reclaimed fabrics, watercolors, and mixed media. A pop-up gift shop featuring Anderson’s popular hand-printed tea towels, note cards, HankiePankie Art Hankies, and patches will also be on-site.
Woodie Anderson, “Can We Be Us In The Middle Of All This”
While studying fine art and graphic design in college, Anderson began experimenting with the tensions between fine art and commercial applications of visual language–areas she continues to explore in much of her work through the use of text, infographics, and other collected graphic materials. Often starting with well-worn household fabrics, she employs a variety of processes including stitching, dyeing, screen-printing, and drawing to build layered, textural pieces that are full of life. Letterforms and texts–including original and appropriated writings–are integral to much of her work.
Her current series, “Tooth and Nail,” is formally inspired by banners and pennants dating from the Middle Ages, while its content centers on identity, self-protection, and self-projection. Found images of unidentified women and the accouterments of battle are also an inspiration for this in-progress series.
Woodie Anderson, “Home Studies 3”
Anderson lives and works in North Carolina, where she also teaches printmaking at the Sawtooth School and participates in the Art-o-mat® (Clark Whittington’s vintage cigarette vending machines repurposed to dispense original artworks). Anderson’s work is featured in The Art-o-mat® “Unpacked” Book and in “Art Quilts at Play” by Jane Davila and Elin Waterston. She a member of Artworks Gallery, the longest-running cooperative gallery in Winston-Salem, and has exhibited at regional and national venues including the Cooper-Hewitt National Design Museum, SECCA, and The Turchin Center for the Visual Arts at ASU.
These ‘Mater Cards and Flour Sack Towels designed by Woodie Anderson are among the items that will be available in the pop-up gift shop featuring Anderson’s popular hand-printed tea towels, note cards, HankiePankie Art Hankies, and patches.
Artworks Gallery extends visiting hours in June with the addition of Thursday hours! June Gallery Hours: Thursday, Friday and Saturday 11-5; Sunday 1-4 Or by appointment at shop@artworks-gallery.org
Charles Hahn | Complexities, and Nuances of the Human Spirit
Charles Hahn, “An Easy Life and Other Lies”
Charles Hahn’s current project, “Complexities, and Nuances of the Human Spirit,” concentrates on characterizing the striking aspect of each person’s sensibility and inner self. The artist’s goal is to capture, in engaging black and white photography, the essence of an individual while letting the environment play second fiddle to the images of vibrant sentient beings. This body of work celebrates the subjects as individuals with their distinct souls, a center of being with a human quality to be appreciated. The way time moves on and things disappear; the photographs capture a moment in the past that one experiences in the present. Therefore, every photograph is ultimately about the passing of time, while preserving the spirit of the moment.
Since his youth, Charles Hahn spent untold hours in the darkrooms at school and at his home. It was during these early years that he cut his teeth on black and white film developing and processing. Early on he embarked upon a journalistic essay by photographing Chippewa Street, a seamy street in his hometown of Buffalo, NY, documenting in photography a world that would soon cease to exist. This first foray into street photography would be the predecessor of future projects, including work done in Winston-Salem where he currently resides. Although the people and places are different, the storytelling is eerily similar telling the stories of people who are usually overlooked.
Katherine Mahler | Wayfinding
Katherine Mahler, “Crew of One”
The work presented in “Wayfinding” by Katherine Mahler draws upon memories of time spent on the Great Lakes and Niagara River, serving as a metaphor for navigating the pandemic. This series began as a way to remember places and times from the artist’s childhood in the Buffalo-Niagara region of New York and Ontario, Canada. Memory and maps, along with other wayfinding inspiration, speak to how we learn to find our way, literally and metaphorically and the guideposts and markers we need to navigate successfully from place and time.
The work for this show represents ideas about what becomes essential to know, what details are important to pay attention to, observations about the cultural abandonment of collective action in favor of individualism, and trusting your instincts amid chaos. This series of work emerged in the winter of 2021 and is still evolving.
Katherine Mahler is an art educator and holds a BA in Studio Art from Kenyon College, a BFA in Art Education from Michigan State University, and is an MFA candidate at Lesley University.
The exhibit is free and open to the public.
Artworks Gallery, Inc. 564 North Trade Street Winston-Salem, NC 27101. Gallery phone: 336-723-5890
May Gallery Hours: Friday and Saturday 11-5 Sunday 1-4 Open for Gallery Hop: May 7, 2021, 7 – 9 pm (Meet the Artists Reception) Or by appointment at shop@artworks-gallery.org
Chirs Flory: It Depends How Black the Blackness Is
Chris Flory: It Isn’t Getting Any Easier
Chris Flory: It Might Take A Long Time
Chris Flory:More Walls To Bang Your Head Against
Chris Flory: Still Boxed In
Chris Flory: What Were We Thinking
Chris Flory | All Fall Down
Chris Flory, “More Walls to Bang Your Head Against”
Chris Flory was born in Philadelphia. She has a BFA in Printmaking from Philadelphia College of Art, now University of the Arts (1972), and an MFA in Painting from UNC-Greensboro (1992). She has been a member of Artworks Gallery since 1993. She lives in Winston-Salem with her husband and two cats.
The works in the “All Fall Down” exhibition are all graphite on paper, drawn in 2020. Most are about the anxiety and frustration which Chris Flory has been experiencing in Covid times. The “Breath” series is loosely based on some pastel drawings from 1995.
Chris Flory, “But is it Safe?”
Susan Smoot: Roadside Compositions
From the heart of North Carolina, Susan Smoot studied fine art at Appalachian State University, earning a BA in Painting. After years in the corporate world of advertising, she has returned to making art as her primary focus. She has studied with locally and nationally recognized artists to further her talent and add to her skills to develop a straightforward painting style, elevating the commonplace to art. Smoot is an award-winning artist who teaches classes when possible. In addition to watercolor, the artist also works in pastel, acrylic, and fiber art.
“Roadside Compositions” is Susan Smoot’s collection of original watercolor paintings. The works focus on long-standing architecture of utility. Farmhouses, sheds, barns, are depicted, showing evidence of their usefulness and the disrepair of time. These rural scenes and buildings, observed locally, were rendered to celebrate the details of age, tarnish, patina, and rust on these witnesses of the past.
The artist says, “As a child, I always wondered about the abandoned farmhouses and barns I spotted while traveling through rural areas. I pictured, in my mind, walking through and around them. I wanted to understand more about their stories. By painting their images I intend to know them better and interpret their pasts – or make up my own version.”
Barbara Rizza Mellin: Lunaria 51: Faith in the Future
Barbara Rizza Mellin: Lunaria 59: Glowing Daydreams
Barbara Rizza Mellin: Lunaria 64: Soul of Moonbeams
Barbara Rizza Mellin: Lunaria 52: Bouquet of Moonbeams
Barbara Rizza Mellin: Lunaria 63: Moonbeam Necklace
Wiley Akers, “Chin Warmer”
Wiley Akers
Wiley Akers calls the work in his show an expression of “I Don’t Know Mind,” saying, “the best art that I have created in the past came about, for the most part, because I didn’t know what I was doing. So with an empty mind and no preconceived ideas or plans I start making pencil marks without looking at the canvas.” Upon the artist looking at the marks he determines if it wants to “become something.” Akers process allows one thing to lead to another; some quickly done to repress thinking, while others taking days.
Wiley Akers has a BFA and a MEd from UNCG. He taught art to middle and high school students for 25 years. In addition to his shows at Artworks Gallery he has exhibited at ASU, WCU, UNCG, and Delurk Gallery.
Owens Daniels, “BLM”
Owens Daniels
Owens Daniels uses the visual arts to express his interpretation of the world, and photography to open unexplored spaces between the subject and viewer exposing them both to a world of opportunities and experiences. “Digital Protest 2020” in a narrow sense is “Social Realism Art,” a term used for works by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to socio-political, equity and social justice conditions of the working class. This work also operates as a means to critique the power structures that produce the environment and culture for these conditions.
2019 Duke Energy Grant and Z Smith Reynolds Lead Artist for the Presence Absence Project awardee, Owens Daniels is a visual artist/photographer, educator and the face behind ODP Art+Design Bold, Creative and Innovative Artwork. In addition to formal training at the U.S Army Photographic School of Cartography, Daniels has worked as a freelance photographer and served as Artist in Residences, participated in Public Art Installations, and been the recipient of grants and varied other commissions.
Barbara Rizza Mellin,”Lunaria 65 Garden Lanterns”
Barbara Rizza Mellin
Barbara Rizza Mellin’s“Lunaria,” showcases in black and white, the delicate beauty of the unpretentious plant, sometimes called Honesty or Money Plant. The exhibit of carborundum mezzotints is made up of two components: a wall installation of 48 6-inch-square mezzotints, as well as 16 framed mezzotint print images, each with an original haiku. As an art historian, Mellin likes to reinterpret traditional media and techniques, using less toxic materials for modern audiences.
Barbara Rizza Mellin is a printmaker, painter, and writer, who has been a member of Artworks Gallery since 2017. She is also a member of several local and national professional organizations including AAWS, AFAS, the DADA Collective, the International Mezzotint Society and Winston-Salem Writers.
The exhibit is free and open to the public.
Artworks Gallery, Inc. 564 North Trade Street, Winston-Salem, NC 27101. Gallery phone: 336-723-5890 March Gallery Hours: Friday 12-3 Saturday 11-5 Sunday 1-4 Or by appointment at shop@artworks-gallery.org
